Tuesday, September 28, 2010

Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves for $7.49



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I don't think that I will ever be able to do this book enough justice, but I will try.

To be honest, I haven't followed the modeling world for some time. I used to read all of the magazines and watched Style with Elsa Klensch religiously.

But years have passed since that time, and I had never heard of model Crystal Renn. I was unaware of her story.

Crystal was raised by her grandmother when her own mother abandoned her. Being abandoned or rejected by a parent often leads to feelings of inadequacy, as no matter how much reassurance from others you receive that you are worthy of love, it is still a blow to your psyche. Crystal was no different, and she developed a need to dominate whatever activity she chose, whether it be student council president or cheerleading or modeling.

Crystal didn't want to just be a model in a catalog. She wanted the runways and the Vogue covers. In order to do this, she was told that her hips would have to get down to 34". This meant that she, at 5'9" would need to drop down to 110 lbs. She had to lose 60 lbs.

Of course, given her overachiever demeanor, she went beyond this. She exercised for 8 hours a day on the weekends. She ate lettuce, chewed gum, and smoked. And she eventually found herself at 95lbs.

You don't have to be a budding model to feel that you don't have the right to take up space. ~ Crystal Renn.

I wanted to be less, always less. I wanted to be as barely there as possible. ~ Crystal Renn

I wonder whether today's mania for super-thin, wide-eyed, less powerful-looking girls is tied to fear of female strength. Today's girls take up less space, literally and metaphorically. ~Crystal Renn

And yet, she wasn't successful at that weight. She was a shell of a person at that point and no one wanted to hire her because of her lack of spark and energy.

You can be as beautiful as anything, but if you can't show people a little of your soul, you'll never make it. It wasn't until I became the weight I was meant to be that I figured that out. ~ Crystal Renn

The stereotype of models is that we're brain-dead, but some of us are just starving. ~ Crystal Renn

Eventually, Crystal's body fought back and started gaining weight on its own, no matter how hard she tried to keep her weight down.

Crystal began to learn about how our bodies are designed and why some people are destined to be size 0 naturally and others are not. I have to agree with her assertions, as I think it's easy to tell when someone is naturally thin. I know people who are very thin and petite, but not skin and bones. I know some folks who are larger, yet have a nice defined figure.

When we diet to lose weight, we have to steamroll over the weight our genes want us to be, disregard the hunger pangs that won't go away as we dip below the size that's normal for us, ignore the marketing of junk food and the prevalence of giant slabs of meat and glugs of high-fructose corn syrup and the hugeness of most portion sizes. We may have to struggle to find fresh, affordable food, which isn't accessible in many neighborhoods. We have to find the time to cook and walk more. We blame ourselves for failing to lose weight and we never think, Gee, if almost everyone who loses weight gains it back, maybe the problem is with the concept of dieting, not with individuals. ~ Crystal Renn

Crystal talks about studies that have shown people who are not overweight have a difficult time gaining weight, even when they are told to do so. They have to eat around 10,000 calories per day to put on weight and maintain it.

Yet some people can't lose weight until they cut their calories drastically. And so, the conclusion is, that there is a genetic difference between people who are thin and people who are overweight.

She also discusses the bashing that overweight people are taking in our society now. This part of the book is rather involved, but very informative. I'll just give you with a taste of it:

No one has established a causal relationship between weight and ill health. Are people fat because they're unhealthy or unhealthy because they're fat? Bacon (a researcher) shows the difference between the two with an example: Bald men have a higher incidence of heart disease than men with a full head of hair. However, this doesn't mean that baldness causes heart disease or that hair protects against heart disease. (And no one would suggest that bald men dig deep, show some damn discipline, and grow some hair.) ~ Crystal Renn

Eventually, Crystal's body weight settled in at what was healthy for her, which was about what she weighed before she started starving herself to fit in to the "straight" modeling world. Yes, she is a size 10/12 now and that is considered Plus sized in the modeling world. But she has broken through many of the barriers and appeared on Vogue covers around the world.

If you couldn't tell, I absolutely adore this book and its author. I think that it's one of the most important books I've ever read. Crystal Renn is only 24, but she has already learned a great deal about body acceptance and what works for her. That she can share this very personal journey in such an accessible way is truly amazing. This should be required reading for everyone, as it will change the way people think about our genetic appearances.


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Monday, September 27, 2010

Theatrical Design and Production: An Introduction to Scene Design and Construction, Lighting, Sound, Costume, and Makeup

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I use this text for all my Tech Theatre classes, from Basic Stagecraft on up to more advanced 300- and 400- level classes, and I ditto what other reviewers have said about its being comprehensive, thorough, and accurate. The only small problem I have with it is that it really isn't designed for students who've never taken a Theatre class before. For a 100-level class, there should be a little more background on definitions of the broad concepts like Art, Theatre, and Drama (and why there is a difference between the last two), and what exactly the work of the Playwright, Director, and Actors is and how the work of the design artists supports that. (I use Gillette for 100-level classes because I haven't really found anything else that does precisely what I would want a Basic Stagecraft book to do.) For a 200-level class, though, or a 100-level class where they've already taken a more traditional Theatre Appreciation class where they've already absorbed those concepts, it's THE book to use.

Paul F. Wilson
Chair and Tech Director
Methodist University
Fayetteville, NC

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Tuesday, September 21, 2010

The Great Brain (Turtleback School & Library Binding Edition) (Great Brain (Prebound))

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I agree with the other reviewers in that The Great Brain is an entertaining, clever, and highly intelligent read for 4th graders and up with excellent reading comprehension. However, parents may wish to be aware that the book raises a number of challenging, troubling issues to which their children may not have been previously exposed. All are dealt with in lighthearted ways, yet for some children, it may be the first time being exposed to some of the darker concepts - like feuds between Christian sects (since it takes place in Utah at the turn-of-the-century the narrator frequently discusses fights with the Mormon kids), anti-Semitism (when a Jewish merchant sets up shop in town and is presumed to be hoarding gold), the death of the merchant, alcoholism (when a plot hatches to get a disliked teacher fired by planting empty whiskey bottles in his room), amputation (when a child gets gangrene after stepping on a nail and is forced to lose his leg), and even suicide (when that child feels that he is "plumb useless" and tries to enlist his friends to help him end it all.)

Not only are these issues raised rather offhandedly, but the overall story is morally complex. It involves Tom, the narrator's brother, looked up to as a brilliant thinker, but the main focus of his Great Brain is how to make money from his brother, his friends, and their parents regardless of the circumstance. He is generally on the right side of each issue, but a cynical child might assume he is only in it for himself. For example, he helps defend an immigrant child from bullies. But he does it by convincing the boy's father that in order to be a "real American kid" he must learn how to fight, and that Tom is willing to teach him for a fee. Tom manages to swindle his friends out of their spare pennies, his parents out of their pocket change, and his brother out of his prized Indian beaded belt.

So I recommend this book as a good read for intelligent kids, but if they have previously been exposed to only typical lighthearted children's fare, be prepared to read it along with your child, as some thorny moral discussions may develop.

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Monday, September 20, 2010

The Pocket Lawyer for Filmmakers: A Legal Toolkit for Independent Producers for $14.15

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This book is a great help and a fantastic reference. I refer to this book all the time. I usually can just open up the book to find the answer to whatever legal question I'm looking for.

My copy is all beat up and dog eared.. I never read it straight through, just skipped around to the stuff I want to know about. If I have a question, I know the answer is in there. It's more than just law, It's a guide to be in this business.

Plus, it's easy to understand. The copyright section helped me out the most.
I have produced things before, but life would've been easier with this book. They should require this book in film classes.

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Sunday, September 19, 2010

The Power of Birthdays, Stars & Numbers: The Complete Personology Reference Guide for $16.59

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In my opinion, this is a great book for almost all ages(or who can at least understand it) to read. I read this book in free time-at least what I can read of it seeing the fact that some of its pages are ripped out-and it is very entertaining. My daughter absolutely loves the book and keeps it her room all the time. I also think that the book encourages people to get up and do something with themselves. For instance, not to sit around on the couch all day or be just plain lazy! I would recommend this book to anybody and everybody who was born in (just as it says in the book)1930 to 2000. It's a nice book and explains everything from birthdays to which constellation you were born under.. Everyone who has this book or is at LEAST planning to buy it, I hope you have the same response as do maybe even better about this book...

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Saturday, September 18, 2010

Technical Theater for Nontechnical People for $11.41

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I am finding this book very useful for a rounded guide to technical theatre for those of us who are 'Jacks of all Trades'. I am a solo technician in a Performing arts college in the UK and find it a useful recourse as I have to don many hats and it makes a good refresher or guide for the less experienced.
It is well written and I find it honest and light and gives a good bit of detail about specific technicalities without the really mind boggling stuff that I guess 'non technical people' would get someone in for anyway.
Every director should have a copy, or anyone who has to work with technicians as it is a great overview of different roles and the work that different departments put in.
Have a go. It's worth the money in my humble opinion.


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Friday, September 17, 2010

Film: An Introduction

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In Film: An Introduction William H. Phillips of the University of Wisconsin gives a very comprehensive and enormously broad view on the art of filmmaking. Every aspect imaginable of film is addressed, although most of the time in a very introductory manner. This book is clearly mostly intended to an audience of future film critics, then to aspiring filmmakers. Nevertheless it succeeds very well in its main purpose of giving an introduction to film.

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