Saturday, September 11, 2010

Film Theory and Criticism: Introductory Readings for $26.95



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First of all, if you are purchasing this book here is a great probability that someone required you to read it. Just as a warning, THIS BOOK IS VERY HARD TO READ!!!

The translations is difficult and sometimes you are completely confused. However the content is amazing. If you take the time to watch the films being discussed and or the films by the authors the words come alive and there is depth and understanding of the medium that we all enjoy.

I was required to read this for a MFA English course and I would have never read it otherwise. Now I recommend the book and several of the articles on a regular basis.

One note, check with your professor to see if you must order the latest edition. The previous editions are sometimes adequate and significantly less cost.



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"Film Theory and Criticism: Introductory Readings" Overview


Since publication of the first edition in 1974, Film Theory and Criticism has been the most widely used and cited anthology of critical writings about film. Extensively revised and updated, this sixth edition highlights both classic texts and cutting edge essays from more than a century of thought and writing about the movies. Editors Leo Braudy and Marshall Cohen have reformulated the book's sections and their introductions in order to lead students into a rich understanding of what the movies have accomplished, both as individual works and as contributions to what has been called "the art form of the twentieth [and now twenty-first] century." Building upon the wide range of selections and the extensive historical coverage that marked previous editions, this new compilation stretches from the earliest attempts to define the cinema to the most recent efforts to place film in the contexts of psychology, sociology, and philosophy, and to explore issues of gender and race.
The sixth edition features several new essays that discuss the impact of digital technology on the traditional conceptions of what films do and how they manage to do it. Additional selections from the important works of Gilles Deleuze round out sections dealing with the theories of such writers as Sergei Eisenstein, André Bazin, and Christian Metz, among others. New essays also strengthen sections dealing with the idea of "excess" in film, film spectatorship, the horror genre, and feminist criticism. Film Theory and Criticism, 6/e, is ideal for undergraduate and graduate courses in film theory and criticism.




Customer Reviews


Philosophy and Film Class - Edward Mentry -
I had to order this book for a Philosophy and Film online class, which fulfills my upper level Philosophy requirement. It is a very extensive book that contains articles and excerpts from numerous prominent film critics and theorists. Many of the readings are very old (from the beginning of the film era) so they are a little dense to read, but they are very interesting and informative nonetheless.




Misleading - Caitlin F. Hofmeister -
The book is much more used than the seller lead on. I could have gotten a better copy for cheaper elsewhere.




good - Christopher D. Mckenney -
Got it and it was just like the description, havn't found a problem with it.




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